Vol. 18, Issue 1, Fall 2024

Jean Renoir’s Wartime Cinema

Notes from the Editor
Bob Hudson, Editor-in-Chief

L’Office of War Information et This Land is Mine de Jean Renoir
Frédéric Levéviel, University of South Florida
Aude Jehan, University of Alberta

Does Jean Renoir Still Matter Today?: Interview with Elizabeth Vitanza
Elizabeth Vitanza, Independent Scholar

Bob Hudson on Jean Renoir’s Grand Illusion, podcast interview [audio]
Chad Turner, Clearly Underrated

Outreach/Public Humanities/Film Reviews

Review of Mia Hansen-Løve’s Bergman Island
George Dibble, Brigham Young University

Review of Paolo Sorrentino’s The Hand of God
George Dibble, Brigham Young University

Review of Disney Pixar’s Luca
Elianna Elias, Brigham Young University

Review of Jean-Pierre and Luc Dardenne’s Tori et Lokita
Ethan Frank, Brigham Young University

Review of the Netflix miniseries Generazione 56K
Jackson Geary, Brigham Young University

Review of Sara Dosa’s documentary Fire of Love
Dayton Page, Brigham Young University

Review of Céline Sciamma’s Petite Maman
Dayton Page, Brigham Young University

Review of Pablo Berger’s Robot Dreams
Pete Peterson, Brigham Young University

Review of Alice Rohrwacher’s La Chimera: “One Foot in the Grave”
Regan Singer, Brigham Young University

Review of Alice Diop’s Saint Omer
Zach Stevenson, Brigham Young University

Review of Martin Bourboulon’s biopic Eiffel
Bob Hudson, Brigham Young University

Review of Ricardo Trogi’s fourth autobiographical comedy 1995
Bob Hudson, Brigham Young University