9 March 2022
The Elephant in the Text: Speaking the Unspeakable in Adolphe Belot’s Mademoiselle Giraud, ma femme (1870)
Hope L. Christiansen
University of Arkansas
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9 March 2022
Ru by Kim Thúy: A Transcultural Tale of Mother-Daughter Lineage and Maternal Legacy
Xinyi Tan
Coastal Carolina University
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9 March 2022
Le discours féminocentrique de Nafissatou Diallo: réception critique versus ethos subversif
Medoune Gueye
Virginia Tech University
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21 December 2020
Stylistique de l’obsession transmise dans Onitsha de Le Clézio
Clarisse Barbier
University of Kansas
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21 December 2020
Allegorizing Algerian History & French Colonization in Mokeddem’s L’Interdite
Greg Jackson
Utah Valley University
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21 December 2020
Saint or Sinner? Defining Women in Relation to the Satanic Serpent in Dürer’s Workshop
Lindsay Packham
Brigham Young University
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21 December 2020
“Hail, daughter Genovefa!”: Imitatio Mariae in the Musée de Cluny’s 14th-Century Tableau Reliquary of St. Genevieve
Meredith Hanna Noorda
Brigham Young University
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21 December 2020
Christine vs. The Machine
Suzanne Savoy
Independent Scholar/Actor
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13 August 2019
Beggars but not Women: False Premises and Strategies of Resistance in Aminata Sow Fall’s The Beggars’ Strike
Yohann C. Ripert
Stetson University
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13 August 2019
Writing to Heal: Therapeutic Writing in Ken Bugul’s Le Baobab fou
Fatima Seck
George Mason University
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